Mapping the gay & lesbian world
FEATURE STORIES MAPS US CANADA EVENTS HOME

MOST POPULAR

DESTINATIONS


   

The iconoclastic author and poet remembers falling in love and political change in New York City during the summer of 1948

by Audre Lorde

In my first year at Hunter, there were three other Black girls in my term, although not in my class. Suddenly life became an exciting game of how much time I could spend with the people I wanted to spend it with. We learned to appreciate each other's softness behind the lockers, calling it all different kinds of names and games—from touch tag, to how-does-that-feel, to I-can-hit-harder-than-you. Until Gennie said to me one day, "Is that the only way you know how to make friends?" and right then and there I began to learn other ways.

 
We played sexy games with the Latino boys up in the bluffs of granite above Morningside Park.

I learned how to feel first and ask questions afterward. I learned how to cherish first the facade and then the fact of being an outlaw. That spring term, Gennie and I did things that I thought made [the other girls] look like kindergarten kids. We smoked in the bathrooms and on the street. We played hooky from school and forged notes for each other in our mothers' handwriting. We hid out at Gennie's house and toasted marshmallows in her mother's bed. We stole nickels from our mothers' purses and roamed Fifth Avenue singing union songs. We played sexy games with the Latino boys up in the bluffs of granite above Morningside Park. And, we did a lot of talking.

The Berlin Airlift was just beginning, and the state of Israel represented a newly born hope for human dignity. Our budding political consciousness has already soured us on Coca-Cola democracy.

Gennie had been trained in classical ballet. I never saw her dance except privately, for me. In the beginning of our junior year she left Hunter so she could have more time to dance, she said. Actually it was because she hated to do schoolwork. Our friendship, then, became less connected with school.

Gennie was the first person in my life that I was ever conscious of loving. She was my first true friend.

Photo: Detail from "Coca Cola Goddess" by Rudy Burckhardt. Depicting Astor Place, New York in 1947. Courtesy of Tibor de Nagy Gallery, New York.

The summer of 1948 was a time of powerful change all over the world. Gennie and I felt ourselves a part of it, as did most of the girls at Hunter High. We envied the girls who were Jewish, and who already were making plans to go to Israel and work on a kibbutz in the new nation. The mild-mannered skinny little man in the white sheet had prevailed, and India was finally free, but they had killed him for it. There was no longer any doubt in anybody's mind that China would soon be Red China, and three cheers for the communists. My revolutionary fervor that had begun with a white waitress refusing to serve my family ice cream in the nation's capital was becoming a clearer and clearer position, a lens through which to view the world.


We had huddled under school desks for air-raid drills, and had shaken with terror at the idea of a whole city instantly destroyed by a bomb of atoms. We had danced in the streets and listened to the horns of fire engines and tugboats in the river the day the War was over. For us in 1948, Peace was a very real and vivid issue. Thousands of American boys had died to make the world safe for democracy, even though my family and I couldn't be served ice cream in Washington, D.C. But we were going to change all that, Gennie and I, in our full skirts and ballet slippers, the New Look.

There was a wind blowing all over the world, and we were a part of it.

Gennie lived with her mother in a one-bedroom kitchenette apartment on 119th Street between Eighth and Morningside Avenues. I woke Gennie up whatever time I came over, cutting summer school, and we spent the next few hours deciding what she would wear, and who we were going to be for the world on that particular day. If we did not have something suitable, we stitched and pinned an assortment of wide skirts and kerchiefs into place. Since Gennie was slimmer than I, we often had to alter things on the spot to fit me, but always in such a way that it could be easily restored.

 
That summer all of New York, including its museum and parks and avenues, was our backyard.

We took hours and hours attiring each other, sometimes changing entire outfits at the last minute to become two different people, complimenting each other always. We blossomed forth, finally, after hours of tacking and pinning and last minute ironing-board decisions.

When we decided to be workers, we wore loose pants and packed our shoe-dyed lunchboxes, and tied red bandannas around our throats. We rode up and down Fifth Avenue on the old open double-decker omnibuses, shouting and singing union songs at the tops of our lungs.

    Solidarity foreverrrrr, the Union makes us strong!
    When the unions' inspiration through the workers' blood shall run�

When we decided to be hussies we wore tight skirts and high heels that hurt, and followed handsome respectable-looking lawyer types down Fifth and Park Avenues, making what we thought were salacious worldly comments about their anatomies, in loud voices.

    "What a beautiful behind he has."
    "I bet he sleeps bare-angle."
That was a Hunter euphemism for naked.
    "He's pretending not to hear us, foolish boy."
    "No, he's just too embarrassed to turn around."

When we were African we wrapped our heads in gaily printed skirts and talked our own made-up language in the subway on our way down to the Village. When we were Mexican, we wore full skirts and peasant blouses and huaraches and ate tacos, which we bought at a little stall in front of Fred Leighton's on MacDougal Street. Once, we exchanged the word "fucker" for "mother" in a whole day's conversation, and got put off the Number 5 bus by an irate driver.

Sometimes we roamed through the Village in dirndl skirts and cinch-belts, with flowers in our hair, taking turns strumming Gennie's guitar and singing songs which we adapted from Pablo Neruda's early poems.

    All you red Yankees are sons of a shrim
    Born of a bottle, a bottle of rum.

In the Village, we met Gennie's friend, Jean, who was a dancer also. She was dark and beautiful and lived around the corner from Gennie and went to the High School of Music and Art. Jean was engaged to a white boy named Alf, who had left school and gone to Mexico to paint with Diego Rivera. Sometimes I accompanied them to one of their dance classes at the New Dance Group on 59th Street.

But mostly, Gennie and I went out into the city by ourselves. The whole summer was made up of glorious and exciting days with Genevieve, and evenings of war at home, commencing with my mother's, "Where have you been all day, and why aren't your clothes done?" Or my room cleaned, or the kitchen floor washed, or the milk bought.

 
I never saw her dance except privately, for me. Gennie was the first person in my life that I was ever conscious of loving.

We sallied forth in the afternoon sun to launch our joint assault upon the city. On the days when we had no money for carfare downtown, we went to Central Park to watch the bears. Sometimes we just held hands and walked through the streets of Harlem around her house. They seemed so much more alive to me than the streets of Washington Heights where I lived. They reminded me of the streets around where I grew up, on 142nd Street.

We bought and ate icies which were scraped up from a block of ice and packed into a little paper cup and then liberally covered with brilliant sticky syrups kept in a rainbow of bottles lined up on either side of the ice. They were sold from rickety homemade wooden wagons with bright umbrellas shielding the ice, which was always slowly melting under an indifferently clean old Turkish towel.

These chilly cups of shaved ice were the most deliciously cooling confection in the world, made more so by the vehemence with which both of our mothers had forbidden them to us. Icies were suspected by many Black mothers of spreading polio through Harlem, and they were to be shunned, along with public swimming pools. Eventually, the icie-carts were banned from the streets by Mayor La Guardia. Wherever we were, as the shadows of late afternoon began to grow long, we began to wind our way homeward. We both knew that there was only so much we could presume before our freedom would be cut off, and we tried to keep this side of that line. Sometimes we goofed and overstepped some ignored rule, and then Gennie would be decked for a few days. For me at home, punishment was always much more swift and direct and short, and many days that summer my arms and back were sore from whatever handy weapon my mother could lay her hands on to hit me with.

When Gennie was decked, I would go over to her house for the day. We sat and talked and drank coffee at the kitchen table, or lay naked on her mother's sofa bed in the living room and listened to the radio and dank Champale, which the corner store man gave Gennie on credit because he thought it was for her mother. Sometimes we visited her grandmother who lived upstairs, and she would let us play her Nat King Cole records.

    Dance Ballerina dance
    And do your pirouettes
    In rhythm with your aching heart

Autumn came very quickly. Gennie and I saw less of each other since we were at different schools. I told her I missed her over the phone. We usually made dates to meet at Columbus Circle or in Washington Square Park, and for a while the golden leaves near each fountain hid the harshness of the confused and alien colors that were sweeping up over our paths.


Gennie and I had a fight over something or the other at the end of January. We didn't talk or see each other again for two weeks. She called me on my birthday, and we saw each other a few days later, on Washington's Birthday. We held hands in Central Park Zoo and watched the monkeys. The mandrill looked at us with great sad eyes and we agreed with him that whether we were angry or not we'd never go that long without talking again, because friendship was too important and besides, neither one of us could remember what we'd argued about.

Things I never did with Gennie: Let our bodies touch and tell the passions that we felt. Go to a Village gay bar, or any bar anywhere. Smoke reefer. Derail the freight that took circus animals to Florida. Take a course in international obscenities. Learn Swahili. See Martha Graham's dance troupe. Visit Pearl Primus. Ask her to take us away with her to Africa next time. Write THE BOOK. Make love.


Related.

Feature Stories Main Page    |    New York City Info  |    GLBT history: watch video and explore other icons


Photos. From top, Times Square. Audre Lorde. Astor Place in 1947. The Chrysler Building. A woman in front of her Harlem brownstone, 1940s. Central Park.



Reprinted with permission from Zami: A New Spelling of My Name. Copyright 1982 by Audre Lorde, Crossing Press, Berkeley, CA. Some minor deletions and changes were made to the original text for the purposes of this excerpt.

Links for further info:

Zami on Amazon.

The Crossing Press (now Ten Speed Press).

ADVERTISE ABOUT US CONTACT US CAREER OPPORTUNITIES SPONSORS DISCLAIMER